From $89
Bold green, yellow, and orange fill this hippo, broken into a mosaic of geometric shapes rather than a single smooth form. Apple Green Hippo trades realism for a playful, segmented look, where each patch of color reads almost like stained glass.
The bright palette gives it enough personality for a hallway or a home office that could use a bit of energy, and it works just as well in a kids room where a bold animal subject is an easy sell. It's a departure from the muted, neutral tones most office art defaults to.
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Printed on archival-grade, poly-cotton blend canvas with fade-resistant inks rated to hold color for 75+ years. Gallery-wrapped and ready to hang straight out of the box.
Available in five sizes per orientation, from 12x16 up to 40x60 inches, as a 1.25 inch canvas wrap or with a black floating frame.
Free U.S. shipping on all orders. Printed and shipped from U.S.-based facilities. Most orders arrive within 5 to 10 business days.
Each segment of the hippo's body carries its own solid color, mostly green with yellow and orange accents breaking up the larger shapes. The outlines between segments stay crisp rather than blended, which is what gives the piece its mosaic, almost stained glass quality.
That segmented style makes it a fit for geometric animal art for a startup office or a bold pick for colorful hippo wall art for a kids room, since the bright palette reads as playful rather than corporate. Check the geometric modern collection for more shape driven pieces in a similar spirit.
It's abstracted into a mosaic of colored segments rather than shaded to look lifelike, so the hippo shape reads clearly but the surface treatment is closer to stained glass than a nature painting.
It can be, depending on the room, but a single accent wall or a smaller size tends to keep it playful rather than overwhelming, especially against neutral furniture.
Yes. The bold colors and clear shape make it easy to read from a distance, which suits a hallway where people pass by quickly rather than sit and study the art.
